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La girl concealer orange2/18/2024 ![]() If you exercise your right of cancellation after 14 days of receipt of the order, any returned goods must be in perfect resalable condition (inner and outer packaging fully intact) and are subject to a 25% re-stocking charge. We aim to process all returns as quickly as possible and you should receive confirmation of this within a week of having returned the item. Refunds can only be made to the billing details provided when ordering. Once a refund has been issued you will receive a confirmation email detailing the amount that has been refunded, and the item(s) that we have received back. Please note that this does not affect your statutory rights. Some goods are non-returnable for hygiene reasons. Please put a contact number on your returns form should you require an exchange.Īny delivery charges paid for on an initial order are not eligible for a refund. Please clearly state on the returns form the reason for return and whether you require a refund or exchange. We would recommend that you return your items via a tracked delivery service. Returns postage is at your own cost and risk. If an item(s) is returned to us and it has been used / opened / is not in a resalable condition or does not pass the UV light checking process, the item(s) will be returned to the customer without prior notice. If a purchased product has been used or opened (hologram no longer intact, manufacturer / factory seal no longer in place or packaging damaged), then it will not be eligible for a return, refund or exchange. The below information is extracted from our standard terms and conditions, which customers agree to when placing an order: Returns Product At: 255 Walworth Road, London SE17 1RL To return an item(s), please include your order number, full name, and shipping address on a piece of paper inside and ship to the address below: In many cases it will just be an airlock in the bottle, and we can explain how to release this and get the pump working as normal. Please note: If you believe you have a product with a fault, please contact us on 02 or returning an item. You can return an item if…It has not been opened or usedIt is in perfect resalable conditionIt is returned to us within 14 days of receipt of the order You cannot return an item if…The product has been openedThe product has been used. Please see the below information on whether you can return an item (this does not effect your statutory rights). ![]() Due to the nature of the products we sell, items cannot always be returned. We understand that on occasion you may need to return an item. Flat White Corrector: Lightens and neutralizes any PRO conceal shade.This is our Returns & Refund Policy, we hope it is pretty clear but if you have any questions please contact us here or call our freephone number (free for landlines only, mobiles will be charged) 02. ![]() Cool Pink Corrector: Neutralizes dark spots for fair/light skin tones.Reddish Corrector: Neutralizes dark spots for dark/deep dark skin tones.Mint Corrector: Neutralizes redness for fair/light skin tones.Light Yellow Corrector: Corrects dullness caused by purple/blue undertones and brightens under eye circles for fairer skin tones.Peach Corrector: Neutralizes dark spots for light skin tones.Lavender Corrector: Neutralizes unwanted yellow undertones and sallowness.Green Corrector: Neutralizes redness for medium to dark skin tones.Yellow Corrector: Corrects dullness caused by purple/blue undertones and brightens undereye circles for medium to dark skin tones.Orange Corrector: Neutralizes dark spots for medium/deep skin tones.Pro concealers provide complete, natural-looking coverage, even skin tones, cover dark circles and minimize fine lines around the eyes. The long-wearing concealer formula camouflages darkness under the eyes, redness and skin imperfections. Girl's HD Pro Concealers are crease-resistant with opaque coverage in a creamy, yet lightweight texture. Youtube slomo edit2/18/2024 Move the mouse pointer to the bottom edge of the effect dialog to until it turns into a double arrow.In Movie Studio, position the playback marker where you want the first speed ramp with dynamic slow motion effect to begin.Speed ramps are transitions in speed where the playback tempo of the video slows down or speeds up constantly, producing truly dynamic results. Next, we'll show you how to create "speed ramps". Movie Studio now offers even more options for making a slow motion video and creating other dynamic effects. The adjacent objects on the track will be shifted to the right automatically: you don't need to do anything else. As a result, the video object will be extended to the right in the timeline. The slow motion effect will slow down the video. If you're using 25 FPS video material, we recommend enabling the option "Interpolate intermediate images" to ensure that the video plays smoothly if the value drops below 0.75. You can also type in the factor number yourself. In the effect dialog, move the speed factor slider to the left.In the Media Pool, open the Effects tab and click on the Speed tile.Click the scene that you want to apply the slow motion effect to.You've now cut the scene that you want to slow down – so now you just have to create the slow motion effect. Then place the playback marker at the end of the scene you're going to turn into a slow-mo sequence, and press the "T" key again.Place the playback marker at the beginning of the scene and press the "T" key to cut the material at this position.Play your footage and find a scene to use for slow motion.You don't need to do this if you want make the entire video slow motion, of course. The steps outlines how to create slow motion with the video editor Movie Studio – there are two stages.įirst you need to cut the scene that you want to slow down. ![]() Compact cameras offer at least 60 FPS in HD quality. Action cameras record this way in any event, since they are specialized for the playback of action-packed footage in which the slow motion effect is often deployed. Many smartphones, including iPhones older than iPhone 6, can even record at 120 FPS. Most cameras are designed to record at higher FPS rates than the 25 FPS necessary for normal playback speed. While this gives you the freedom to create slow-mo irrespective of the camera used or the video material, it's better if the camera can record an optimal frame rate. Intermediate frames can also be generated using a special tool to allow for smooth slow motion no matter the playback device. In the long run, this pays off, as you'll have more options for creating slow motion effects during the editing process.Īny camera can be used in Movie Studio to create the slow motion effect. ![]() This means that during recording, more space is occupied per film minute on the recording medium. Recordings with 50-60 frames per second are standard, and enable smooth playback at half the original speed. If you want to slow down a video sequence using the slow motion effect, video material recorded higher than 25 frames per second is preferable. The higher the amount of frames that appear per second in the source material, the better your slow motion video will be. Most videos play at 25 frames per second. At some stage motion sequences will begin to blur (known as motion blur), judder and become choppy. ![]() Since any film comprises a defined number of frames that are displayed within a certain time framework (frames per seconds or FPS), videos cannot be slowed down indefinitely without a visible loss of quality. Keep reading to learn step-by-step how to easily create the slow motion effect and also produce speed ramps for more dynamics in your film. This lets you take a particular moment from the action and emphasize it in an atmospheric and visual way that doesn't interrupt the flow of the movie. Speed ramps work especially well in action scenes, where they can be used to turn fast-paced visuals into a slow motion scene to focus on a crucial moment before allowing the action to continue at normal speed. However, sometimes film makers actually slow down the beginning and then speed up the end of the slow motion scene to bring it back up to normal speed. Commonly abbreviated as slow-mo or slo-mo, the slow motion effect is often used in a static way, meaning that there is no change in the playback speed of the slow motion sequence. The slow motion effect is always used in videos when the film maker wants to slow down the action of a specific scene to place more emphasis on it. Hazel download the last version for ios2/18/2024 ![]() iOS 8.3 was the first version of iOS to have public beta testing available, where users could test the beta for upcoming releases of iOS and send feedback to Apple about bugs and issues. The release of iOS 8.1 brought support for the iPad Air 2 and iPad Mini 3, and the release of iOS 8.4 brought support for the iPod Touch (6th generation). All other devices from the iPhone 5 onwards, iPod Touch (6th generation) onwards, the iPad (4th generation) onwards, and the iPad Mini 2 onwards were fully supported. iOS 8 has limited support on the iPad 2, iPhone 4S, iPad (3rd generation), iPad Mini (1st generation), and the iPod Touch (5th generation), as Apple received widespread complaints of extremely poor performance from owners of these devices. With this release, Apple dropped support for the iPhone 4 due to performance issues, and the Apple TV (2nd generation) due to hardware limitations. Īpple announced iOS 8 on June 2, 2014, at its annual Apple Worldwide Developers Conference (WWDC) event, and it was released to the public on September 17, 2014, alongside the iPhone 6 and iPhone 6 Plus.
Lobster bar buckhead2/18/2024 ![]() Iced towers of Gulf shrimp, Maine lobster and oysters aplenty whet the appetite in preparation for platters of crab legs, sushi and whole fish galore that make it a certified classic. The seafood-abundant concept made landfall in 1993 offering the freshest denizens of the sea flown in daily for your dining pleasure. For such a large steak, it has been delivered perfectly cooked (pink/hot center, charred exterior) every time. You just know what to expect from Buckhead Life Restaurant Group’s sea-faring foray, the Atlanta Fish Market. Chops & Lobster Bar, 70 West Paces Ferry Rd, Atlanta, GA 30305, 1147 Photos, Mon - 11:30 am - 2:30 pm, 5:30 pm - 9:00 pm, Tue - 11:30 am - 2:30 pm. One way to make the Atlanta dining community remember you and perfectly encapsulate what your restaurant is all about, is to have a giant metal sculpture of the dish you specialize planted outside for all to see. Book now at Hals - Buckhead in Atlanta, GA. Jipsta: The lobster mac and cheese is the BEST ever Super spicy and super tasty Great service and tons of interesting other food options 3. Yes, you can generally book this restaurant by choosing the date, time and party size on OpenTable. Hals - Buckhead is rated 4.8 stars by 6299 OpenTable diners. ![]() Openings: Chops: Lunch Mon.-Fri., Dinner nightly Lobster Bar: Dinner Tues. Hals - Buckhead offers takeout which you can order by calling the restaurant at (404) 261-0025. ![]() With way too many “Best Steakhouse” accolades to name, this quintessential steakhouse continues to serve up prime cuts of deliciousness behind an intimate backdrop worthy of popping the question or closing that important business deal.ģ130 Piedmont Road NE, 404.237.2663, Ītlanta Fish Market – (24 years – est. An upscale crowd flocks to this two-tier Buckhead restaurant for steaks and seafood. Since making its debut on Piedmont Road in 1979, Bones has been the shining light of the Atlanta fine dining scene. Anyone who loves steak can attest that this Buckhead staple stays in their “Top 5” for brilliant cuts and pristine service. Update adobe after effects cc2/18/2024 ![]() ![]() When adobe developed after-effects, they add many features that can be imported directly from photoshop and illustrator because those two products belong to adobe.Īdobe After Effects 3.1 was introduced in April 1996, its last Mac 64×0 version. And its features are Keyframe assistances (wiggler, Motion sketch, smoother), Render queue, multiple effects per layer, advanced keying, layer transfer modes, continuously rasterize illustrator files, motion maths, bezier masking, time remapping, velocity graph, 1/2/4point motion tracking. Adobe After Effects 3.0 was introduced in 1995 October the code name of this version is Nimchow. And Only one feature is added in this version called Power Macintosh Version (PPC).įrom 1994 Adobe handed over After effects and developed a lot of versions with many features. ![]() After Effects 2.0 was developed by Aldus in 1994 January, the code name of this version is Teriyaki, and the Features are Motion blur, multi-machine rendering, Frame blending, Proxies, Time layout window, image sequence support.Īfter Effects 2.0.1 was developed in 1994 May. It is well known for producing PageMaker, an early application in the area of desktop publishing. And its Features were Effects, Keyframes, Transforms, layer compositing with the mask.Īldus Corporation was a software firm that developed software for desktop publishing. After Effects 1.1 was developed in 1993 May with more features than 1.0. Online audio editor2/18/2024 ![]() * Contrast Analysis for analyzing volume average rms Differences Between foreground speech and background music. * “Sample Data Export” for exporting to file Containing amplitude values for each sample in the selection. * “Plot Spectrum” command for detailed frequency analysis. * Spectrogram view modes for visualizing frequencies. * Create voice-overs for podcasts or DJ sets using Auto Duck effect. * Remove Vocals from Suitable stereo tracks. * Adjust volume with Compressor, Amplify, Normalize, Fade In / Fade Out. ![]() * Alter frequencies with Equalization, Bass Boost, High / Low Pass and Notch Filter effects. * Remove static, hiss, hum or other constant background noises. * Change the pitch without altering the tempo (or vice-versa). * Envelope Tool to fade the volume up or down smoothly. * Unlimited Undo (and Redo) to go back any number of steps. * Easy Editing with Cut, Copy, Paste and Delete. * Tracks with different sample rates or formats are converted Automatically in real time. * Sample rates and formats are converted using high-quality resampling and dithering. * Supports 16-bit, 24-bit and 32-bit (floating point) samples (Latter preserves the samples in excess of full scale). * Import and export AC3, M4A/M4R (AAC) and WMA with the optional FFmpeg library. * Export MP3 Files with the optional LAME encoder library. * Import raw (headerless) audio files using the “Import Raw” command. * Import MPEG audio (including MP2 and MP3 files) using libmad. * Import and export all formats supported by libsndfile Such as GSM 6.10, 32-bit and 64-bit float WAV and U / A-Law. * Import and export WAV, AIFF, AU, FLAC and Ogg Vorbis files. Import sound files, edit them, and combine them with other files: It is a document editor integrated with our file manager to manage only Audio file types with this desktop app. Whether you are making music, podcasts, or audio books, Audacity is a very good tool to edit audios or music online. Audacity is an audio editor online to import your own audios, remove noise, cut and combine clips, apply special audio effects and much more in order to achieve professional results. Green candy apples2/17/2024 ![]() I stuck half my apples in the top before I realized that wasn’t the right way. Stick the fork into the bottom of the apple.Get some really nice quality plastic forks and use those for the sticks. So you can go the crafty route and plug-in real sticks that you gather from outside or stick a fork in it. Not even Michaels-craft hell as Will likes to refer to it. For a moment they thought they had a caramel apple kit but no. Rest assured they look weird but are just fine. And then you start to panic and wonder if you’ve totally ruined the apples for the bake sale. And if you do the dunking method they turn a weird pea green color. So buy apples without wax and if you find yourself with waxy apples, dunk them quick in some boiling water and rub off the wax with a towel. First thing to know, you don’t want waxy apples.So I learned to make caramel apples and here’s what I learned in my adventure: Do you do that? You say or agree to something and wonder to yourself, “Self-what the heck are you doing.” Sometimes I need to employ the KISS strategy for myself. So for some reason this all seemed like a good idea. Stella’s school asked if I would bake for their annual bake sale. Oh and have you had the ones at Candyland in St. This is why I just go to Kowalski’s and buy my packaged ones. Orchard, grocery store variety, whatever. Seriously? What is in those candy pumpkins that come with candy corns and peanuts?!? Anyhow. Every fall I go to Kowalski’s (sometimes a couple times in the fall) and buy their caramel apples and packages of Halloween mix. Strategic budget planning2/17/2024 Something fascinating happens when they go agile. It’s very rare, but increasingly we’re seeing companies move to more agile ways of working, even outside of the tech space. For example, some companies have, outside of their normal strategy-planning season, a set of regular meetings with an evolving agenda of big strategic topics and stimulating discussions about them to make decisions, so you get into a discipline and a cadence of strategic conversations. If you want to reengineer the way a company works, you can talk in themes and theories, but it tends to come down to lots of small things you do differently. I’m going to bring this to life through what we call micropractices. By the time you come to planning, you should already have your strategy in mind. But you need a parallel track to do strategy, and that has completely different timing. First you need an efficient way of doing your plans-that’s really important, making sure the budget lines up every year. Let me make that practical: you need a two-track process. The shift we suggest making is to go from this annual planning ritual to treating strategy as a journey. As soon as you put strategy and planning together, planning will always win. The problem is, that’s a different mode of thinking from strategy. It’s extraordinarily important to know what is going to happen next month, what resources need to move, and what initiatives you have to launch. There are eight shifts we propose (exhibit). What we need to do is reengineer the way we do strategy. So, we ended our book with a kind of manifesto for how you could manage your company differently. There is so much else going on than just strategy. There are other people, and you want to look good to them. There are negotiations, there are egos, there are last year’s plans. ![]() But when you get to the strategy room, you find it crowded with all sorts of stuff. You start your strategy season with high hopes. Rather than causing big catastrophes, it usually causes inertia, and the risk that your company moves slower than the market it’s in. ![]() What is it that gets in the way? It’s called the social side of strategy. If your goal is to scale the power curve of economic profit and make big moves to beat the odds of strategic success, the villain is the thing that gets in your way of achieving that goal. To make any story interesting, you need a villain. Here’s Chris on how he and his co-authors approach the challenges faced by executive teams in the strategy room, and how they help them make the first shift.Ĭhris Bradley: Business books are notoriously boring. Chris will take us through some of the practical changes that companies can make to their strategic planning process to unlock those bold moves. ![]() Today we’d like to share excerpts from a presentation Chris gave at our Global Business Leaders Forum in New York. We also heard about the most important strategic moves companies can make to rise up that power curve. In our two earlier podcasts, Chris and his co-authors, Sven Smit and Martin Hirt, talked about how social dynamics and biases can undermine strategy development, and explained the power curve of economic profit, which shows how well-or how poorly-the strategies of the world’s largest companies are succeeding. In today’s episode we will hear from Chris Bradley, a senior partner based in our Sydney office and one of the authors of McKinsey’s recent book Strategy Beyond the Hockey Stick: People, Probabilities, and Big Moves to Beat the Odds (John Wiley & Sons, 2018). Sean Brown: From McKinsey’s Strategy and Corporate Finance Practice, I’m Sean Brown. You can listen to the episode on Apple Podcasts, Spotify, or Google Podcasts. He discusses the eight practical shifts that executive teams can make to move their strategy into high gear. This episode of the Inside the Strategy Room podcast features excerpts from an address that McKinsey senior partner Chris Bradley gave at our recent Global Business Leaders Forum. Overwatch bastion bird plush2/17/2024 ![]() Players are able to switch between heroes mid-match after they are killed or if they return to their team's base.Įach hero character has fundamentally different attributes such as health and movement speed, at least one basic attack, and at least one unique skill, collectively referred to as a skill kit. The game will warn teams if they have an imbalance in their general role selection, and certain game modes require players to select different heroes. ![]() Tank characters can absorb large amounts of damage for the team, and support characters share healing abilities and similar status effects for the team or against enemies. Damage characters are often doing the most damage and help the team with the majority of kills. The game's characters are divided into three role classifications: damage, tank, and support. People play on two teams of five rather than six players, the game type assault was removed after much criticism from the player base and was replaced with the game type push, and User interface and model changes to the characters.Ī match starts with each player selecting from one of the available hero characters. Overwatch 2 retains most of its predecessor's gameplay and content with some changes. Most game modes brought together two teams of six players each into a match who compete in one of several objective-based game types: Control, assault, payload, and hybrid. Overwatch included casual play modes, competitive ranked play modes, and various arcade modes where special rules applied. ![]() Overwatch, now completely replaced by Overwatch 2, primarily was an online team-oriented first-person shooter, and an example of a " hero shooter" where players select from one of several pre-designed hero characters with their own unique abilities. Nine characters reprised their role as playable heroes in the crossover multiplayer online battle arena game, Heroes of the Storm. The game launched with 21 characters, with eleven more added post-release. Blizzard wanted to create a diverse set of characters to reflect a positive outlook on this near future, incorporating non-human characters and non-standard character traits. Overwatch continued to protect the peace until it was disbanded years later under a cloud of suspicion, but its former members have returned to the fore in light of new threats to humanity. The story of Overwatch takes place on Earth in the "near future" in the years after the "Omnic Crisis," a period in which robots (called "omnics") rose up in rebellion worldwide, and the United Nations formed an elite group called Overwatch to combat them. However, as Overwatch 2 had been developed to be a faster game with five-versus-five teams rather than six-versus-six, several of the characters had tweaks or major rebuilds within Overwatch 2, as well as different character designs. The sequel builds upon the same hero roster and added more characters, currently consisting of 39 heroes. Its sequel, Overwatch 2, was released in October 2022 and replaced Overwatch. The original 2016 game, Overwatch, featured 32 playable characters known as heroes and a number of supporting characters as part of the game's narrative, which is told through animated media and digital comics outside of the game. The Overwatch franchise, a series of first-person shooter games developed by Blizzard Entertainment consists of 39 playable characters across both games. A promotional image of the 32 different playable characters on Blizzard Entertainment's fourth-anniversary celebration of the release of Overwatch (listed from left to right: Junkrat, Doomfist, Lucio, Ashe and Bob, Tracer, Soldier: 76, Roadhog, Zenyatta, Genji, Pharah, Zarya, Echo, D.Va, Moira, Hanzo, Orisa, Widowmaker, Symmetra, Reinhardt, Baptiste, Reaper, Winston, Sigma, Mei, Mercy, Brigitte, Wrecking Ball, Cassidy, Sombra, Ana, Bastion, Torbjörn) AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |